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Yulia Erokhina's Venedikt Yerofeev Illusiveness of good and evil, irreparableness of "an animal grin of life", elusiveness of moments of happiness turn into clear feelings and concrete experiences of a pain, languor, pleasure from Venedict Yerofeev's literary work, novel "Moscow-Petushki", and Yulia Erokhina's picturesque cycle. Erokhina is quite a formed artist recognised by the paintings stowed with deep sense and, at the same time, by being in constant search of her creative manner and its development. Her works have been demonstrated during many Russian and international exhibitions of the modern art, are permanently exhibited in several museums. The main style in the modern art, expressive impressionism of conceptual sense, differs in Yulia Erokhina's works due to the philosophical content where the value of "what is represented" is combined with "how" it has been done. If expressionists use the energy of colour to express the idea of the painting, which does not require any plot by itself and impressionists are concentrated on catching the instant moment by any means, then the main Yulia's credo can be seen in connection between the force of colour and deep subjective sense. Technical perfection of paintings is not the main goal for the painter. What is much more important for her is a spectator, the person, who she addresses, but not his aesthetic sense. She is careless, subjective, does not need advice from the outside, boldly quotes famous techniques, she is self-sufficient and infinitely true to herself. Yulia Erokhina possesses her own energy of love. It is the aspiration to harmony of the attitude, quite rate in the art of the last three decades, that was so sharply felt by Yerofeev and reflected by Yulia Erokhina in the cycle "Moscow Petushki Moscow". The plot of the novel has defining conceptual sounding: "To the train through shop", "But humiliate us and do not assail", "A simple letter" and so on. When a spectator recognizes in an art literary-picturesque image of St. Teresfinding stigmas an event similar to Yerofeev's character finding a bottle of strong pink it becomes especially clear that chasm is a trifle and everybody can easily "rise" to it. Natalia Nesterova gives the following definition of the artist's credo: so defines credo of the artist: "A real artist is the one, who cannot live without it. You do not go forward - you go back. Every day it is necessary to study". Neither the content, nor high professionalism of technical execution of painting does not define the value of a painting. The most interesting in art - the personality of the artist: if there is true originality critics will be ready to forgive thousand of errors and just to admire. The expert on cultural values of the Ministry of culture of Russian Federation, a member of board of experts Mihajlova Julia Mihajlovna